by Christine Day
Overall: 5 out of 5 stars
Adding my positive review to that of <a href="http://<!– wp:paragraph –> <p>by <a href="https://americanindiansinchildrensliterature.blogspot.com/2020/09/highly-recommended-sea-in-winter-by.html">Christine Day</a><br>Overall: 5 out of 5 stars</p> Dr. Debbie Reese! 12-year-old Maisie is still recovering from her ballet-related knee injury when we meet her. She is also not responding to her best friends, who are fellow ballet dancers and one of whom she blames for her injury. Mostly taking place over the course of a week in February, the story revolves around Maisie really hitting rock bottom about the injury and also [SPOILER ALERT] re-injuring her knee while on vacation with her mom, stepdad, and half-brother.
Maisie has two very insightful parents: her mom and stepdad, who are both Native (her biological father was also Native, and was in the Army; killed in Afghanistan when Maisie was a baby) and who speak to her gently and frankly about her mental health and about depression and therapy. At that point, the narrative zooms forward four months to where Maisie has found other interests besides ballet and has an idea of the future that doesn’t really involve ballet, along with friends at her own school. Her ballet friends go to different schools, so she was very unmotivated at school for a few different reasons. Jack, her stepfather, was determined to make her succeed in school unlike Jack and her father.
I loved that the story was infused with Native terms and ideology, but never felt didactic. (Instead of “See-yah means grandfather,” Maisie says “Jack wasn’t allowed to call his see-yah ‘grandpa,'” for example.) Maisie and her family live in the Pacific Northwest, which is her mom’s and Jack’s people’s homeland, and some places are referred to by their Native names. Day gives an Author’s Note at the end about some of her choices, and there is a note from Cynthia Leitich Smith about the book and about the imprint, which is Heartdrum (HarperCollins).
by Kelly Yang
Overall: 5 out of 5 stars
Three Keys is the sequel to Front Desk, and Mia Tang and her crew are back. Her best friend, Lupe, is an undocumented immigrant, and this story revolves around the election of Governor Pete Wilson and his Proposition 187 which had devastating effects for undocumented immigrants (and even documented ones – there was a palpable fear in the air, lots and lots of racism and plenty of hate crimes). With their various gradations of immigration status, Lupe, Mia (who has a green card), and Jason (who was born in the US to naturalized-citizen parents) struggle to figure it all out. (Well, Jason does, and Mia helps him. Jason’s parents are still terrible and his dad even votes for Prop 187, even as their own money troubles are escalating and they downsize to a smaller home.)
On a personal level for Lupe, her mom returns to Mexico voluntarily (because her mother has died) and then is unable to cross the border again. Her father becomes worried about her and goes to the border to find her, but gets detained by immigration police. Lupe comes to stay with the Tangs at the motel for months and there are some really heart-wrenching scenes about their separation. Hank and Mia find an immigration lawyer to take the case pro bono. There are scenes of rallies and protests and the fear calculus of attending them for the various characters. The economics of the weeklies’ finances is not explored at all but rather they are made to seem financially comfortable, which is far from realistic.
Mia’s teacher is another person whose mind she helps to change, through her writing as in Front Desk. Mrs. Welch shows some racism toward Mia at the beginning of the school year, and wears a Pete Wilson pin. However, she comes to visit Mia and Lupe at the motel one day and sees the “Welcome to America” classes for immigrants that some of the motel’s weekly residents teach and starts to listen more and more to Mia. Mia also writes a letter to the editor of the newspaper and gets published. Mrs. Welch tutors Mia in writing, teaching her grammar formally which helps Mia greatly. When Prop 187 passes, Lupe leaves school, being tutored by Mia’s mom in math. This also sets Mia’s mom on a path to becoming a teacher, and there’s a sweet moment between her parents about her dad enabling her mom to pursue her dreams.
by Heather Corinna and Isabella Rotman
Overall: 4 out of 5 stars
The subtitle of this book is “A Comic Book Guide to Relationships, Bodies, and Growing Up” and that’s basically what it is. The first half of the book, the puberty / bodies part, dragged a little for me, but the second half, which talked about gender, sexual attraction (or lack thereof), and especially consent, was great. There were some really clear metaphors for understanding, again especially about consent (including one that even might bump the tea metaphor out of first place!). The book is sort of narrated by five teens of different races, genders, and sexualities, but who don’t really have distinct voices and sometimes come off as really didactic.